L'Analisi Linguistica e Letteraria

Year 26 No. 1 (2018): Issue 1/2018
Articles

Teatro sentimentale e propaganda Les Victimes cloîtrées di Jacques-Marie Boutet

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  • Sara Cigada,
  • Caterina Garaffoni

Published 04/10/2018

Keywords

  • emotive argumentation,
  • manipulation,
  • emotions in discourse analysis,
  • discourse analysis and argumentation,
  • French Revolution

How to Cite

Cigada, S., & Garaffoni, C. (2018). Teatro sentimentale e propaganda Les Victimes cloîtrées di Jacques-Marie Boutet . L’Analisi Linguistica E Letteraria, 26(1), 17. Retrieved from https://www.analisilinguisticaeletteraria.eu/index.php/ojs/article/view/129
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Abstract

L’articolo studia, attraverso l’analisi linguistica del testo, la componente emotiva della pièce teatrale Les Victimes cloîtrées del drammaturgo francese Boutet detto Monvel. L’analisi viene condotta a livello lessicale, discorsivo e retorico, combinando il metodo messo a punto da Christian Plantin con il modello dell’umanista Rodolfo Agricola. Essa consente di far emergere in che modo il carattere sentimentale dell’opera sia strumentalizzato ai fini politici della propaganda, nel contesto della Rivoluzione francese.
We outline the emotive elements in the dramatic work of Boutet (Monvel), Les Victimes cloîtrées. Linguistic and discourse analysis are based both on Christian Plantin’s methodology and on Rodolphus Agricola’s XVth century model. It appears that the sentimental component of the pièce is consistent with the ideological goal of supporting Jacobin politics and discrediting the Church, in the context of the French Revolution.

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